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S-21 (Tuol Sleng) Genocide Museum
Olivier Donnars / Le Pictorium
LePictorium_0322864.jpg
Located in a former school, the former Khmer Rouge prison of S-21 (Tuol Sleng) has been converted into a genocide museum in Phnom Penh, Cambodia.
S-21 (Tuol Sleng) Genocide Museum
Olivier Donnars / Le Pictorium
LePictorium_0322865.jpg
Tuol Sleng Museum, torture cell of the former S-21 prison of the Khmer Rouge, converted into a genocide museum in Phnom Penh (Cambodia)
S-21 (Tuol Sleng) Genocide Museum
Olivier Donnars / Le Pictorium
LePictorium_0322866.jpg
Located in a former school, interior of a detention room in the former Khmer Rouge prison S-21 (Tuol Sleng), converted into a genocide museum in Phnom Penh (Cambodia)
S-21 (Tuol Sleng) Genocide Museum
Olivier Donnars / Le Pictorium
LePictorium_0322867.jpg
Located in a former school, interior of a detention room in the former Khmer Rouge prison S-21 (Tuol Sleng), converted into a genocide museum in Phnom Penh (Cambodia)
S-21 (Tuol Sleng) Genocide Museum
Olivier Donnars / Le Pictorium
LePictorium_0322868.jpg
Photographs of children, victims of the genocide perpetrated by the Khmer Rouge, in the former Khmer Rouge prison S-21 (Tuol Sleng), converted into a genocide museum in Phnom Penh (Cambodia)
S-21 (Tuol Sleng) Genocide Museum
Olivier Donnars / Le Pictorium
LePictorium_0322869.jpg
Located in a former school, interior of a detention room in the former Khmer Rouge prison S-21 (Tuol Sleng), converted into a genocide museum in Phnom Penh (Cambodia)
S-21 (Tuol Sleng) Genocide Museum
Olivier Donnars / Le Pictorium
LePictorium_0322870.jpg
Located in a former school, detention cells in the former Khmer Rouge prison S-21 (Tuol Sleng), converted into a genocide museum in Phnom Penh (Cambodia)
S-21 (Tuol Sleng) Genocide Museum
Olivier Donnars / Le Pictorium
LePictorium_0322871.jpg
Located in a former school, detention cells in the former Khmer Rouge prison S-21 (Tuol Sleng), converted into a genocide museum in Phnom Penh (Cambodia)
S-21 (Tuol Sleng) Genocide Museum
Olivier Donnars / Le Pictorium
LePictorium_0322872.jpg
Located in a former school, detention cells in the former Khmer Rouge prison S-21 (Tuol Sleng), converted into a genocide museum in Phnom Penh (Cambodia)
S-21 (Tuol Sleng) Genocide Museum
Olivier Donnars / Le Pictorium
LePictorium_0322873.jpg
Displayed in the former S-21 prison (Tuol Sleng), now a genocide museum, hundreds of portraits of Cambodian victims bear witness to the barbarity of the Khmer Rouge regime. Phnom Penh (Cambodia)
S-21 (Tuol Sleng) Genocide Museum
Olivier Donnars / Le Pictorium
LePictorium_0322874.jpg
Displayed in the former S-21 prison (Tuol Sleng), now a genocide museum, hundreds of portraits of Cambodian victims bear witness to the barbarity of the Khmer Rouge regime. Phnom Penh (Cambodia)
S-21 (Tuol Sleng) Genocide Museum
Olivier Donnars / Le Pictorium
LePictorium_0322875.jpg
Displayed in the former S-21 prison (Tuol Sleng), now a genocide museum, hundreds of portraits of Cambodian victims bear witness to the barbarity of the Khmer Rouge regime. Phnom Penh (Cambodia)
S-21 (Tuol Sleng) Genocide Museum
Olivier Donnars / Le Pictorium
LePictorium_0322876.jpg
Displayed in the former S-21 prison (Tuol Sleng), now a genocide museum, hundreds of portraits of Cambodian victims bear witness to the barbarity of the Khmer Rouge regime. Phnom Penh (Cambodia)
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321915.jpg
At the Artisans d'Angkor silk factory, mulberry trees are planted to provide leaves for feeding silkworms.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321916.jpg
Silkworm moths, butterflies whose caterpillars produce silk thread. Three days after fertilization, the female lays 300 to 700 eggs.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321917.jpg
Silkworm caterpillars.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321918.jpg
Silkworm caterpillars are fed mulberry leaves.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321919.jpg
Silkworm caterpillars are fed mulberry leaves.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321920.jpg
Silkworm caterpillars are fed mulberry leaves.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321921.jpg
Sorting mature silkworm caterpillars. The caterpillar goes through various stages over the course of a week before spinning its cocoon.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321922.jpg
Silkworms ready to spin their cocoons are placed in a basket.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321923.jpg
Baskets in which silkworms have woven their cocoons and in which they transform into chrysalises. Water dishes are placed on the ground to prevent predatory insects from climbing up to the cocoons.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321924.jpg
Cocoons freed from their chrysalis.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321925.jpg
The cocoons are soaked in hot water to soften the silk gum, or sericin, which holds the threads together. The coarse outer threads are brushed away to reveal the fine threads. Once the cocoons become translucent, they are placed in hot water to gently unravel the inner threads. Several cocoons can be reeled together to achieve the desired thickness.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321926.jpg
The cocoons are soaked in hot water to soften the silk gum, or sericin, which holds the threads together. The coarse outer threads are brushed away to reveal the fine threads. Once the cocoons become translucent, they are placed in hot water to gently unravel the inner threads. Several cocoons can be reeled together to achieve the desired thickness.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321927.jpg
Silk threads reeled from the cocoon. Each cocoon contains a single silk thread approximately 300 meters long, one-third of which is raw silk and the rest is finer silk.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321928.jpg
After dyeing, the skeins are prepared. This step is crucial in determining the fineness and softness of the silk threads. The threads are prepared in skeins, ready to be woven.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321929.jpg
After dyeing, the skeins are prepared. This step is crucial in determining the fineness and softness of the silk threads. The threads are prepared in skeins, ready to be woven.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321930.jpg
After dyeing, the skeins are prepared. This step is crucial in determining the fineness and softness of the silk threads. The threads are prepared in skeins, ready to be woven.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321931.jpg
The traditional Cambodian method uses the ikat technique to create complex patterns. The parts that are to be preserved in a certain color are hidden by plastic ribbons tied to the weft thread. The thread is then dipped in dye. The process is repeated for other colors. The natural dyes used are extracted from plants, fruits, and minerals to create vivid colors.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321932.jpg
The silk threads are woven on traditional wooden looms.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321933.jpg
The silk threads are woven on traditional wooden looms.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321934.jpg
The silk threads are woven on traditional wooden looms.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321935.jpg
The silk threads are woven on traditional wooden looms.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321936.jpg
The silk threads are woven on traditional wooden looms.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321937.jpg
The silk threads are woven on traditional wooden looms.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321938.jpg
Les motifs de fleurs de jasmin sont crĆ©Ć©s Ć l'aide de la technique du brocart, qui consiste Ć manipuler des cadres pour mettre en relief le motif, fil par fil, donnant au tissu de belles teintes et nuances. Les motifs de jasmin sont gĆ©nĆ©ralement considĆ©rĆ©s comme des symboles de chance et apparaissent souvent dans les cĆ©rĆ©monies religieuses et royales au Cambodge.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321939.jpg
Sampots, traditional Khmer dresses made of silk by the weavers of Artisans d'Angkor.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321940.jpg
Sampots, traditional Khmer dresses made of silk by the weavers of Artisans d'Angkor.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321941.jpg
Roth Soriya, 38, has been weaving silk for 10 years at Artisans d'Angkor. She specializes in weaving complex patterns.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321942.jpg
Roth Soriya, 38, has been weaving silk for 10 years at Artisans d'Angkor. She specializes in weaving complex patterns.
CAMBODIA-ART/Angkor Silk
Olivier Donnars / Le Pictorium
LePictorium_0321943.jpg
Roth Soriya, 38, has been weaving silk for 10 years at Artisans d'Angkor. She specializes in weaving complex patterns.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321889.jpg
Sao Seth, 24, is a sculptor for Artisans d'Angkor, a social enterprise in Siem Reap, Cambodia, that trains disadvantaged young Cambodians from rural areas in traditional Khmer craftsmanship.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321890.jpg
In the Artisans d'Angkor workshop near Siem Reap, sandstone blocks used for carving sculptures.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321891.jpg
At the Artisans d'Angkor workshop near Siem Reap, sandstone blocks are cut before being carved.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321892.jpg
At the Artisans d'Angkor workshop near Siem Reap, sandstone blocks are cut before being carved.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321893.jpg
Artisans d'Angkor sculpture workshop, near Siem Reap.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321894.jpg
Artisans d'Angkor sculpture workshop, near Siem Reap. A craftsman sculpts the head of Khmer king Suryavarman II, founder of the city of Angkor in the 12th century.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321895.jpg
Sao Seth, 24, is a sculptor for Artisans d'Angkor, a social enterprise in Siem Reap, Cambodia, that trains disadvantaged young Cambodians from rural areas in traditional Khmer craftsmanship.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321896.jpg
Artisans d'Angkor sculpture workshop, near Siem Reap. A craftsman carves a representation of Ganesh, the elephant god.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321897.jpg
Sao Seth, 24, is a sculptor for Artisans d'Angkor, a social enterprise in Siem Reap, Cambodia, that trains disadvantaged young Cambodians from rural areas in traditional Khmer craftsmanship.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321898.jpg
Sao Seth's table with the template of the Apsara dancer he wants to create and his carving tools for sculpting the smallest details.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321899.jpg
Sao Seth's table with the template of the Apsara dancer he wants to create and his carving tools for sculpting the smallest details.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321900.jpg
Sandstone is extremely brittle, and every movement requires extreme precision and zero margin for error. He must constantly measure every centimeter of the template to avoid any mistakes.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321901.jpg
Sandstone is extremely brittle, and every movement requires extreme precision and zero margin for error. He must constantly measure every centimeter of the template to avoid any mistakes.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321902.jpg
It takes three full days of work to create this sculpture of an Apsara, called Ka Dom, with her arms forming a coconut flower.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321903.jpg
Artisans d'Angkor sculpture workshop, near Siem Reap. A young artisan measures every inch of her original model to avoid any mistakes.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321904.jpg
Artisans d'Angkor sculpture workshop, near Siem Reap. A young artisan measures every inch of her original model to avoid any mistakes.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321905.jpg
Artisans d'Angkor sculpture workshop, near Siem Reap.
CAMBODIA-ART/Sculptor of Angkor.
Olivier Donnars / Le Pictorium
LePictorium_0321906.jpg
Artisans d'Angkor sculpture workshop, near Siem Reap.
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